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Graveface
2026 Graveface Revival Series 12LP Subscription
2026 Graveface Revival Series 12LP Subscription
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$298.00 USD
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To celebrate Graveface turning 25 years old (!!), we've launched the Graveface Revival Series. The GF Revival Series is a year-long vinyl subscription celebrating unreleased, unissued, and vinyl-absent recordings from Graveface’s 25-year history. The series includes albums that were completed but never pressed, titles previously available only on CD or cassette, and LPs that were planned but never released. One record ships each month throughout 2026, giving these long-delayed releases their first proper life on vinyl.
LPs in the subscription:
Xiu Xiu "The Magician"
Power Pill Fist "Kongmanivong"
TW Walsh "Blue Laws" 2XLP
The Loose Salute "Tuned to Love"
Haley "The Size of Planets"
Kid Dakota "The West is the Future" 2XLP
Casket Girls "The Piano Album"
Monster Movie "All Lost"
Experimental Aircraft "Third Transmission" 2XLP
Chris Crisci (of The Appleseed Cast) "Ambient Lullaby Hour"
Dreamend "8213" 2XLP
12th album is a secret
Details:
- 12LPs in 2026
- Clubbers get an exclusive vinyl colorway (handpour which is pressed in-house).
- Each jacket will be hand numbered and will have an OBI strip which features anecdotes about the album. Each clubber will have their own number. Club is LTD to 200 subscribers and you'll receive the same number for each LP over the 12 month cycle and that number is based on when you join. First person to join gets 1/200 and so on.
- Club receives a membership tee for joining (choose your size, color and longsleeve or short sleeve)
- Club receives an exclusive 12x12 art print for each album
- Domestic shipping is free. International shipping: first package is on us, the others you pay actual shipping costs for. We CAN hold so that first free package can have as many titles as you want so long as time isn't an issue for you.
- clubbers will receive a series of exclusive "podcast" interviews with artists featured in this 12LP series.
- you can pay in 4 at checkout (installments)
The first title clubbers will receive is Monster Movie "All Lost". First time on vinyl. Features members of Slowdive and Eternal. New art by Chloe Manon. Foil stamping on the jacket.
If you're a member of our normal Record Club already, you will be sent a discount code in the event you'd like to join this new subscription. Your sub cannot be transferred over. Mainly due to this being 12 releases (vs your 10) and also the fact that every subscriber in this sub will get the same number for each release during the 12 month cycle.
Thank you for your continued support over the past 25 years!
Various quotes from artists regarding the Revival Series:
"Kongmanivong was everything I was trying to deliver with Power Pill Fist. I was still recording some of the music directly to tape at the time and I loved the nastiness of the sound. There were very few of us making Atari noise at the time and it felt like something special. I cannot wait to hear Kongmanivong with the crackle of vinyl! I am so pleased to have this be a part of the Graveface Revival series."
Ken Fec, Power Pill Fist 2026
"To finally see The West is the Future being released on vinyl is very exciting. Kid Dakota has released 7 albums and this is only one never released on vinyl. Graveface and I have been talking about this for a long time, decades! The album release is going to feature one previously unreleased song that was initially supposed to be the opening track. It will also include a few four-track demos of songs on the album. Big thanks to Graveface for their unwavering commitment and vision."
Darren Jackson, Kid Dakota 2026
"It is always an extraordinary delight to get to deeply explore a storied work of art.
The Magician from 1926 is incredibly strange, beautiful, unnerving and profoundly innovative. It is encouraging to be darkly moved by a film made 100 years ago (!!!). Feeling connected to fellow cuckoos across space and time is an assurance that we are indeed forever connected to the pursuit of facing fundamental dread through imagination."
Jamie Stewart, Xiu Xiu 2026
"Blue Laws was released 25 years ago, weeks before I became a father and a few months before 9/11. We made this record, an unselfconsciously confessional synthesis of slowcore, orchestral pop, post-punk and mournful folk, in Massachusetts basements and bedrooms. I was a rock drummer pretending to be a singer-songwriter. The songs connected with people despite the conspicuous uncertainty in my voice.
The lyrical themes of Blue Laws are at times morose (Pitchfork called it 'Eeyorian' in its hilariously scathing 3.8/10 rating review), but they clearly forecast the eventual dystopian present. These songs about power, identity, loss and sacrifice continue to resonate. The elegiac quality of the arrangements and immediacy of the performances still shimmer.
Thanks to Graveface for issuing it on vinyl for the first time."
TW Walsh, 2026
“Releasing Tuned to Love on vinyl feels perfectly timed — in a digital world, vinyl remains a human, tactile way to truly listen, inviting us to slow down, reconnect, and tune to love. A luminous collaboration between Ian and myself, held by the band and first set into orbit by Ryan at Graveface, feels like a natural homecoming.”
Lisa Billson, The Loose Salute 2026
"When COVID hit, I was just at the beginning of a solo tour. I had played the first show in Wichita, and that night we learned that the NBA had cancelled all upcoming games for the foreseeable future. The next morning, the writing was on the wall, so instead of heading to the next city, I turned around and headed home. A week and a half later, the country was officially in lock down.
As the weeks turned into months, there was a general sense of isolation. I wanted to do something communal, and akin to the solo shows that I had planned. Insomnia was also an issue at the time for a lot of people. The Ambient Lullaby Hour felt like something I could do to reach out and make a connection.
I am elated that Graveface Records is putting out a mix of the series on vinyl so that it can be played in that format. Graveface started putting out vinyl for us so many years ago, and it is amazing to see how Ryan has been able to grow his company in so many interesting and wonderful ways. It’s a truly unique and artistic group of projects, and I’m honored to be associated with it!"
Chris Crisci, The Appleseed Cast 2026
"As I recall, All Lost was an OK album to make. The one before – To The Moon – was a bit confused. All Lost was a bit less confused. A bit more – and this a relative term – confident.
The songs are pretty good. Some are a bit big in terms of arrangements but this was a kind of post-OK Computer world where you’d stick weird instruments on and think it made you clever. We had a Korg synth and that’s all over everything. I think everyone had one at the time. But it’s still got a nice, melancholic feel to it. The vocals and harmonies are pretty good. Christian and I were assisted on getting that over the line by computer magic from Martin Nichols, the engineer. I think that Rachel Staggs was a bit more on the money but she had the air con on in the background (she was in Texas, it’s hot) so Martin made her do it again. I think we were probably listening to Grandaddy, Yo La Tengo, Sparklehorse, Air and Stereolab at the time. Personally, I took a lot from 10CC, hence the kind of clunky 70s piano ballads. I had a weird Current 93/Coil thing going on too, so the acoustics came out and everything was about the moon. Also, Run To The Heart Of The Sunrise is about running whilst listening to Yes. Christian and I both run a bit, because we’re greedy pigs.
Christian would have been thinking about the male/female vocal blend of MBV and wishing the vocals were lower in the mix. We would have been working in the same office at the time and juggling our shifts and holiday entitlement. One would be in the office and one would be in the studio texting things like ‘less 70 (Yamaha setting) on this and bring the picky bit up’.
We would have drunk a lot of Diet Coke."
The songs are pretty good. Some are a bit big in terms of arrangements but this was a kind of post-OK Computer world where you’d stick weird instruments on and think it made you clever. We had a Korg synth and that’s all over everything. I think everyone had one at the time. But it’s still got a nice, melancholic feel to it. The vocals and harmonies are pretty good. Christian and I were assisted on getting that over the line by computer magic from Martin Nichols, the engineer. I think that Rachel Staggs was a bit more on the money but she had the air con on in the background (she was in Texas, it’s hot) so Martin made her do it again. I think we were probably listening to Grandaddy, Yo La Tengo, Sparklehorse, Air and Stereolab at the time. Personally, I took a lot from 10CC, hence the kind of clunky 70s piano ballads. I had a weird Current 93/Coil thing going on too, so the acoustics came out and everything was about the moon. Also, Run To The Heart Of The Sunrise is about running whilst listening to Yes. Christian and I both run a bit, because we’re greedy pigs.
Christian would have been thinking about the male/female vocal blend of MBV and wishing the vocals were lower in the mix. We would have been working in the same office at the time and juggling our shifts and holiday entitlement. One would be in the office and one would be in the studio texting things like ‘less 70 (Yamaha setting) on this and bring the picky bit up’.
We would have drunk a lot of Diet Coke."
Sean Hewson, Monster Movie 2026
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